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A new large-format layout heightens the impact of Henry Chalfant's images of the trains, and lets Martha Cooper's narrative pictures tell the story. In new introductions, the authors recall how they gained entry to the New York graffiti community in the 1970s and 1980s and describe the techniques that they used to photograph it. New afterwords report how the lives of the original subway artists have unfolded, and chronicle the end of the subway graffiti scene in the late 1980s and its unexpected rebirth as a global art movement
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